You cannot select more than 25 topics Topics must start with a letter or number, can include dashes ('-') and can be up to 35 characters long.
earthquake_3d_viewer_front/three/manual/en/how-to-use-post-processing....

143 lines
6.2 KiB
HTML

<!DOCTYPE html><html lang="en"><head>
<meta charset="utf-8">
<title>How to use Post Processing</title>
<meta name="viewport" content="width=device-width, user-scalable=no, minimum-scale=1.0, maximum-scale=1.0">
<meta name="twitter:card" content="summary_large_image">
<meta name="twitter:site" content="@threejs">
<meta name="twitter:title" content="Three.js How to use Post Processing">
<meta property="og:image" content="https://threejs.org/files/share.png">
<link rel="shortcut icon" href="../../files/favicon_white.ico" media="(prefers-color-scheme: dark)">
<link rel="shortcut icon" href="../../files/favicon.ico" media="(prefers-color-scheme: light)">
<link rel="stylesheet" href="../resources/lesson.css">
<link rel="stylesheet" href="../resources/lang.css">
<script type="importmap">
{
"imports": {
"three": "../../build/three.module.js"
}
}
</script>
</head>
<body>
<div class="container">
<div class="lesson-title">
<h1>How to use Post Processing</h1>
</div>
<div class="lesson">
<div class="lesson-main">
<p>
Many three.js applications render their 3D objects directly to the screen. Sometimes, however, you want to apply one or more graphical
effects like Depth-Of-Field, Bloom, Film Grain or various types of Anti-aliasing. Post-processing is a widely used approach
to implement such effects. First, the scene is rendered to a render target which represents a buffer in the video card's memory.
In the next step one or more post-processing passes apply filters and effects to the image buffer before it is eventually rendered to
the screen.
</p>
<p>
three.js provides a complete post-processing solution via `EffectComposer` to implement such a workflow.
</p>
<h2>Workflow</h2>
<p>
The first step in the process is to import all necessary files from the examples directory. The guide assumes you are using the official
[link:https://www.npmjs.com/package/three npm package] of three.js. For our basic demo in this guide we need the following files.
</p>
<pre class="prettyprint notranslate lang-js" translate="no">
import { EffectComposer } from 'three/addons/postprocessing/EffectComposer.js';
import { RenderPass } from 'three/addons/postprocessing/RenderPass.js';
import { GlitchPass } from 'three/addons/postprocessing/GlitchPass.js';
import { OutputPass } from 'three/addons/postprocessing/OutputPass.js';
</pre>
<p>
After all files are successfully imported, we can create our composer by passing in an instance of `WebGLRenderer`.
</p>
<pre class="prettyprint notranslate lang-js" translate="no">
const composer = new EffectComposer( renderer );
</pre>
<p>
When using a composer, it's necessary to change the application's animation loop. Instead of calling the render method of
`WebGLRenderer`, we now use the respective counterpart of `EffectComposer`.
</p>
<pre class="prettyprint notranslate lang-js" translate="no">
function animate() {
requestAnimationFrame( animate );
composer.render();
}
</pre>
<p>
Our composer is now ready so it's possible to configure the chain of post-processing passes. These passes are responsible for creating
the final visual output of the application. They are processed in order of their addition/insertion. In our example, the instance of `RenderPass`
is executed first, then the instance of `GlitchPass` and finally `OutputPass`. The last enabled pass in the chain is automatically rendered to the screen.
The setup of the passes looks like so:
</p>
<pre class="prettyprint notranslate lang-js" translate="no">
const renderPass = new RenderPass( scene, camera );
composer.addPass( renderPass );
const glitchPass = new GlitchPass();
composer.addPass( glitchPass );
const outputPass = new OutputPass();
composer.addPass( outputPass );
</pre>
<p>
`RenderPass` is normally placed at the beginning of the chain in order to provide the rendered scene as an input for the next post-processing step. In our case,
`GlitchPass` is going to use these image data to apply a wild glitch effect. `OutputPass` is usually the last pass in the chain which performs sRGB color space conversion and tone mapping.
Check out this [link:https://threejs.org/examples/webgl_postprocessing_glitch live example] to see it in action.
</p>
<h2>Built-in Passes</h2>
<p>
You can use a wide range of pre-defined post-processing passes provided by the engine. They are located in the
[link:https://github.com/mrdoob/three.js/tree/dev/examples/jsm/postprocessing postprocessing] directory.
</p>
<h2>Custom Passes</h2>
<p>
Sometimes you want to write a custom post-processing shader and include it into the chain of post-processing passes. For this scenario,
you can utilize `ShaderPass`. After importing the file and your custom shader, you can use the following code to setup the pass.
</p>
<pre class="prettyprint notranslate lang-js" translate="no">
import { ShaderPass } from 'three/addons/postprocessing/ShaderPass.js';
import { LuminosityShader } from 'three/addons/shaders/LuminosityShader.js';
// later in your init routine
const luminosityPass = new ShaderPass( LuminosityShader );
composer.addPass( luminosityPass );
</pre>
<p>
The repository provides a file called [link:https://github.com/mrdoob/three.js/blob/master/examples/jsm/shaders/CopyShader.js CopyShader] which is a
good starting code for your own custom shader. `CopyShader` just copies the image contents of the `EffectComposer`'s read buffer
to its write buffer without applying any effects.
</p>
</div>
</div>
</div>
<script src="../resources/prettify.js"></script>
<script src="../resources/lesson.js"></script>
</body></html>